November 14, 2006

Irving Norman at the Crocker

I recently attended a show at the Crocker Art Museum in Sacramento which has been on my mind for over a week. Irving Norman was a prolific yet relatively unknown for many years, largely due to the subject matter of his works.

Our figure drawing class went to the Crocker to view this particular show, as the artist was extremely adept portraying the human figure. So much so, he was able to distort it to tell an intricate and often disturbing story.

We walked among these huge works, one so large the museum was unable to hang it and had to lay it down.

As my classmates began to sketch, I continued to walk through the exhibit, becoming very unnerved by the suffering, inequality, pain, and often death. I finally zeroed in on some faces and drew them.

View "Human Condition"

From the Crocker's website:


"Unmasking the realities of human nature and the contemporary society in which we live, Irving Norman aimed only “to tell the truth of our time.” His highly detailed paintings are powerful critiques of modern life, painted in the hope of promoting change. The atrocities Norman witnessed in volunteer service during the Spanish Civil War jolted his consciousness, and he began to express his experiences through drawing and then painting from the 1940s to the 1980s. With the belief that his paintings could act as agents of social reform, Norman felt that pointing out the inequities, horrors and foibles of human behavior might somehow cause people to reconsider their actions. Most paintings were intended for public institutions, particularly museums, where the artist thought “all people could come and study them and contemplate.”
View "To Have and Have Not"

Norman’s canvases are monumental in scale and teem with swarming figures, clone-like in their repetition, yet retaining elements of individuality. These figures are constricted by small urban spaces, caught in the crunch of bodies that fill city streets and subways, and decimated by the pain of poverty and the horror of war. The darkness of his visions is relieved by his jewel-like color harmonies and sharp wit. Once the spectator is engaged, Norman’s unsettling visions cannot be ignored—or forgotten. Through scale and infinite detail he makes the immensity and atrocities of war and contemporary society comprehensible. While often horrific and terrifying, these visions contain a deeper message: one of hope."
View "Meeting of the Elders"

I've thought of these works often since last week, and I wonder why? I've seen other artists' works that impressed me, why these? Was is the immensity, the details, or something darker. I guess I need to "noodle" on this a bit...

Posted by Sherri at November 14, 2006 04:46 PM | Art

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Posted by: Anonymous at November 14, 2006 04:46 PM